There aren't many films that will get me to the theater on opening weekend. I like as few distractions as possible, so I usually wait until the crowds die down. My two exceptions this year have been Dark Knight and Quantum of Solace. I saw a 3:15 showing of Quantum of Solace on Friday afternoon. Immediately two things distracted me from the movie. One, on opening day, the film already had scratches. Most of the first reel was noticeably scratchy, I didn't notice anything on subsequent reels.
Unfortunately, the second issue was consistent throughout the film. The opening chase was filmed in two distinctive styles. External shots of the cars were smooth with stunning visuals. Shots from inside the cars used a shaky camera technique intended to emphasize the action. Instead, it made the action unknowable. Combined with quick cuts, the shaky camera made it nearly impossible to see what was happening. In the car chase scene this was mildly disappointing. In the scaffolding fight scene (featured prominently in trailers for the film) the shaky camera again made it impossible to follow the action.
Which is a shame, because this Bond film is really just an action film starring James Bond. The story picks up right where Casino Royale ended, with Bond in pursuit of those responsible for Vesper Lynd's death and the leaders of a shadow organization with the power to topple governments and replace them with regimes more to their liking. Bond pursues relentlessly and adds a few notches to his double-0 status.
There are, however, several essentials to a James Bond movie that Quantum of Solace lacks. James Bond drives a fast, classy European car that exudes cool and may shoot missiles. His wears a chronometer that can detonate bombs and has a garrote built in*. Bond boldly walks into the arch villain's lair, defeats him in a verbal sparring match and steals his girlfriend's affections.
This film was missing all of these. Bond drives an Aston Martin DBS in the opening chase scene, but for the rest of the film, he drives an SUV. The only gadget Bond carries is his cell phone, which admittedly takes really good pictures, but my Treo can send and receive images, so I was less than impressed. (MI6 does use something like a Microsoft Surface, but again, it's nothing new and creative). And the
scene with the arch villain was completely absent. In Casino Royale, Bond played poker against Le Chiffre, their verbal exchanges making it clear that each knew more about the other than he should. In Quantum of Solace, Bond rescues a girl at a party, but the dialogue was just basic machismo with no flair.
Coming on the heels of Casino Royale, this was a disappointing film. It could have worked as a straight action film with different camera technique. It would take a lot more to make it into a good Bond film.
*I realize that the original Ian Fleming works did not contain the more spectacular gadgets of the Roger Moore films, but at least a tip of the hat to the spy genre is expected in a movie about the ultimate spy.
4 comments:
Interesting take on Bond in general. I think it's been nearly four decades since I read a Bond novel. I went on a Bond binge back in the 8th grade but don't remember reading one since then. Still, I think you're right about the literary Bond. Dead inside sums it up nicely.
BTW, totally off topic but where in North Carolina are you? Just curious, as I'm in Raleigh.
I am in Winston-Salem.
I can't claim to be a true Bond fan. I enjoy the movies but haven't seen them all and most that I have seen were edited for television. Haven't read any of Ian Fleming's original works (they are always checked out at the library and my book budget is currently allocated to other authors). But I do like the films and actually own casino Royale. This one just didn't connect with me.
I thought Quantum was an awful film. Not much dramatic tension. Stuff happens, but I didn't much care. I didn't like the new main babe in the least, though I did like Miss Fields (first name Strawberry, according to IMDB, BTW).
I am sick and tired of characters being all over and I don't care if they live or die. I like Matthis in Casino Royale, but his death seemed more like an afterthought.
The "uber-secret-everywhere" organization seemed inept. They travel all over the world to attend stupid wanna-be-Opera? HUH?
And how many such organizations depend on environmentally-concerned donors?
Overall, the threat presented by Quantum seemed under-whelming to say the least.
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